[국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서 이미지 확대 보기
  • [국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서
  • [국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서

[국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서

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[국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서
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shelford-channel-front-description-1800x946_145411.jpg 

shelford-channel-back-description-1800x659_145429.jpg 

Shelford Channel은 Transformer Gain Mic Pre Diode Bridge Compressor Inductor EQ를 겸한 채널 스트립입니다.

■Class-A 마이크 프리앰프, 가변 Silk saturation의 아날로그 파워
■직접 변환 트랜스포머 입력으로 즉각적인 채널 인식 15dB부터 72dB 게인을 제공
■마이크 프리 섹션에는 스위핑 가능한 20-250Hz 하이 패스 필터, 마이크 / 라인 선택, 
   48V 팬텀 전원 및 극성 반전 기능이 포함
■가변 Silk가 있는 이중 탭 트랜스포머 출력 -헤드룸을 유지하면서 표준 컨버터를  클리핑하지 않고 
   채널을 완전하게 구동할 수 있는 듀얼탭 트랜스포머
■3밴드 커스텀 탭 인덕터 EQ -LF shelf/peak filter, HF 풍부한 음질과 향상된 컨트롤 제공
■정밀도와 유연성을 갖춘 클래식의 사운드를 구현하는  Diode Bridge Compressor
   TIMING, THRESHOLD, RATIO, BLEND, MAKE UP GAIN, FAST (어택-릴리즈 수정), 
   HPF, Pre-EQ, Bypass, Side Chain Insert, Stereo Link  포함 

■자동전환 전원공급장치 : -+/- 24V 레일, 100 ~ 240VAC, 50 ~ 60Hz 

 

Transformer Gain Mic Input

Like Rupert’s classic designs, the Shelford Channel’s mic input uses direct transformer coupling with 15dB of gain in the transformer itself.  This extremely sensitive design utilizes the new RN4012 transformer, which spent years in development.  The resulting sonic performance allows the mic pre to capture the more forward mid’s and slightly rounded off high and low frequencies of vintage designs like the 1073.   

 

Direct Input

The Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the microphone preamp for gain. This design, delivers exceptional clarity to high-Z sources, with a substantial low-end presence and incredibly smooth high frequencies. The DI also includes a passive THRU output to feed a separate amplifier.   

 

Dual Tap Output

The dual-tap output for the Channel’s RN2042 square-core output transformer creates both high and low headroom outputs without compromising the channel’s performance.  The high headroom tap is designed capture a more pristine sound at high levels, avoiding non-linear coloration of the output stage and taking full advantage of the Shelford’s higher voltage design. The low headroom tap however is optimized to allow an engineer to drive the full voltage range of the Channel – adding  dynamic tone with these same non-linear “colorations” – without clipping most professional interfaces (Max output level +19dBU). On drums, vocals, guitars and other instruments, this output lets you easily hit the transformer’s “sweet-spot” of non-linear harmonic content, which can bring a recorded performance to life in a way that other effects can’t. 

 

Silk & Texture

Another advantage of the Shelford Channels’ transformer balanced output stage versus vintage modules is the addition of the variable Silk & Texture circuitry, which allows complete control over the harmonic content and saturation of the output transformer. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. When engaged, the harmonic content – predominantly 2nd order and 3rd order with no high order distortion – can be dialed up to several times beyond that found in his vintage units like the 1073. This is further controlled with Silk Red and Blue modes, which emphasize harmonic content generated by the source’s high frequencies (Red) or low frequencies (Blue). 

 

MIC/DI/LINE

Switches between microphone/direct injection input (button out) or line input (button in). 

 

Gnd Lift

This switch separates the direct connection from audio signal ground to chassis earth. 

 

Signal Present LED

This LED is dual function. When green, it indicates “Signal Presence” (a signal level of -20dBu). When red, it indicates 2-3dB below input stage clipping of the Mic/Line stage (+23 dBu while the pre actually clips at +25 dBu). 

 

Mic Gain

This 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps. 

 

Trim

This rotary switch provides further continuous gain adjustment over a range of +/– 6 dB. 

 

48V

This push button switch engages phantom power on the microphone input. Please remember to press the mute button or turn down monitors and headphone sends or the channel the Shelford Channel is plugged into before toggling “+48” (and be especially cautious if you use pre-fader aux sends for headphones). 

 

Phase

This push button switch inverts the polarity of the signal path. It illuminates when engaged. (The symbol “Ø” is often used to denote opposite polarity.) 

 

HPF

The HPF switch engages a 12dB per octave high pass filter. The HPF potentiometer is variable from 20Hz to 250Hz, and can be used to filter out unwanted low frequencies, or in conjunction with the EQ to help shape source material. 

 

Note that engaging the HPF to S/C switch moves the HPF from the primary signal path to the compressor side-chain signal path. 

 

HPF Freq

This control selects the frequency at which the filter begins (-3db) to roll off low frequency signals. It is a 12 dB per octave Bessel filter designed to musically preserve important timing information while cutting low frequency noise and garbage like air conditioning rumble. We may suggest that while recording that the lowest practical setting is generally the safest because it is difficult to try to recover lows with an EQ (6 dB/oct) that may have been chopped off with a filter (12 dB/Oct). 

 

EQ In

This swtich engages all EQ frequency bands except the HPF. 

 

LF

Adjusts up to 15 dB of boost or cut at the selected low frequencies. Cut can be used as a variable, and perhaps more gentle alternative to using the HPF. Remember to reduce the signal level at the source to minimize the potential for distortion when any of the 3 bands are boosted significantly. 

 

Low Freq

The LOW FREQ rotary switch has 4 positions for selecting one of four corner or center frequencies for the low band EQ section. The frequencies are 35 Hz, 60 Hz, 100 Hz and 220 Hz. 

 

LF Peak

The LOW FREQ rotary switch has 4 positions for selecting one of four corner or center frequencies for the low band EQ section. The frequencies are 35 Hz, 60 Hz, 100 Hz and 220 Hz. 

 

Mid Hi Q

The resonance or Q of the mid band at maximum boost is typically 2 when the button is out. When the MID HI Q is pressed at maximum boost, the Q narrows to approximately 3.5. The Q widens nicely with less boost or cut as is typical for passive EQ circuits. The Q tends to be slightly wider when the frequency is set lower, and slightly higher for higher frequency selections. The Q is also narrower for cuts than it is for boosts and the mid band is non-symmetrical by design. 

 

Mid

Adjusts up to 15 dB of boost or cut at the selected mid frequencies. Remember to reduce the signal level at the source to minimize the potential for distortion when any of the 3 bands are boosted significantly. 

 

Mid Freq

The MID FREQ rotary switch has 6 positions to select the center frequency of the mid band EQ stage. This circuit utilizes an inductor and capacitors to shape the EQ curve, the same way as Rupert Neve’s console designs of the 70’s. The frequencies chosen are 200 Hz, 400 Hz, 900 Hz, 1.8 kHz, 3.5 kHz and 7.5 kHz. 200 Hz is especially useful for cuts on individual tracks within a dense mix. 

 

HF Peak

When the button is out, the high frequency band operates in shelf mode, boosting or cutting above the corner frequency at approximately 6 dB/octave. Below the corner frequency the amount of boost or cut gradually diminishes. With the HI PEAK button pressed, the high frequency band changes to peak mode with a bell shaped boost or cut curve. The Peak mode utilizes an inductor and capacitor circuit to create the bell-shaped curve. 

 

8k/16k

With the switch out, the center or corner frequency of the high band is 8 kHz. With the button pressed, the center or corner frequency changes to 16 kHz. Between this switch and the HI PEAK switch, you have 4 different EQ curves to finesse the high frequency content. 

 

HF

Adjusts up to 15 dB of boost or cut at selected high frequencies. 

 

THE SIDE CHAIN INSERT JACKS

These pairs of jacks are only used to perform some fine tuning of the compressor operation. The audio that normally controls the compressor is available on the “SIDECHAIN SEND” jack. One can take this audio and pass it through an external equalizer then return it back to the “SIDECHAIN RETURN” jack. Now changes on the external EQ affect the sensitivity of the compressor. For example, if you cut some low frequencies on the external EQ, then the compressor will tend to not want to reduce the gain as much on bass notes. This is not the same thing as simply boosting lows on an equalizer, because the latter changes the frequency response while the former changes levels. Similarly, one could boost highs (6kHz for example) on the external EQ and cause the compressor to be extra-sensitive to that part of the spectrum which happens to correspond with sibilance (esses). This can act as one type of a de-esser that pulls down the volume of the whole signal if it senses an “ess.” 

 

Comp In

The compressor-limiter section is engaged with this button in.  This may be the most useful control on the compressor because it is there for “confidence checks.” In particular, exercise it in both the quietest and the loudest sections of the song. 

 

Watch out for the compressor exaggerating noise and room sound in the quiet sections and chopping off transients and consonants in the loud sections, either of which suggest maybe too much compressor “action.” Conversely, losing quiet phrases or inadvertent clipping might suggest that a little more compression is warranted keeping in mind that you can always do a bit more in the mix but undoing over-compression is not fun and often not even possible. 

 

Threshold

Sets level where the compressor may begin to react from -25 dB to +20 dB. Minimal or no compression is with this control fully clockwise and it gets more sensitive and tends to cause more gain reduction as the knob is rotated counter-clockwise (which may be counter-intuitive to some). 

 

Ratio

Sets the “slope” of the compression from 1.5:1 (minimal) to 8:1 (significant). For example if this knob is set for 3:1 then if the signal goes 15 dB over the threshold then it attenuates 10 dB and allows the output to rise 5 dB. In general, low ratios can not damage the music as much as high ratios but high ratios may be more useful to minimize clipping and OL lights in the recorder. 

 

When setting the Threshold and Ratio it is useful to use the VU meter. However even more importantly, you should rely on your ears and use the COMP IN button to perform confidence checks. 

 

SC Insert

This control inserts an external device into the side-chain signal path via the rear panel side-chain insert jacks. 

 

HPF to S/C

This routes the High Pass Filter into the circuit that the compressor uses to determine level, commonly referred to as “the side-chain.” Note that the rest of the circuit and output will not have those lows filtered out. This function tends to be very useful because typical sounds often have more energy in the low octaves and can cause excessive compression. Our ears may tend to associate loudness with mids or high mids for some sounds and one may be wanting the compressor to regulate and smooth perceived loudness. Removing some amount of low frequencies that the compressor “sees” can help especially if one is compressing deeply (-8 dB or more). 

 

Gain

Often referred to as Make Up Gain. Considering the compressor is generally being forced to attenuate louder signals, some method of returning the average level to a volume comparable with the compressor bypassed is desirable. The GAIN control is mostly used for this purpose especially for those of us that depend on comparing compression to bypass. GAIN is often pushed for even more level than “bypass” because it is understood that the compressor should be providing some effective headroom (besides “louder is better” being the oldest trick in the book). 

 

Timing

This six-position controls adjusts the attack/release speed of the compressor. See the “Timing” section in the Compressor specifications page for timing values. 

 

Link

Links the side-chain control of multiple units for ganged operation, such as would be used in stereo compression. 

 

Pre EQ

Pushing this button changes the order of where the Compressor is in the circuit. 

 

Blend

This just mixes the dry or raw, uncompressed signal and the compressed signal. Fully counter-clockwise is uncompressed and is very similar to not having the “COMP IN” button pushed in. Fully clockwise is 100% compressor-limiter path, and one can “blend” or mix how much compressed-limited signal vs. dry signal.

 

Fast

When pressed, alters the speeds up both the attack and release of the selected time constant of compressor.  

 

VU Meter

The VU Meter is calibrated to display both average (RMS) output level and compressor gain reduction 

배송안내

- 배송비 : 기본배송료는 3,000원 입니다. (도서,산간,오지 일부지역은 배송비가 추가될 수 있습니다)  50,000원 이상 구매시 무료배송입니다.

- 본 상품의 평균 배송일은 2 ~ 7 일입니다.(입금 확인 후) 설치 상품의 경우 다소 늦어질수 있습니다.

  [배송예정일은 주문시점(주문순서)에 따른 유동성이 발생하므로 평균 배송일과는 차이가 발생할 수 있습니다.]

- 본 상품의 배송 가능일은 2 ~ 7 일 입니다. 배송 가능일이란 본 상품을 주문 하신 고객님들께 상품 배송이 가능한 기간을 의미합니다. 

  (단, 연휴 및 공휴일은 기간 계산시 제외하며 현금 주문일 경우 입금일 기준 입니다.)

교환 및 반품안내

- 상품 초기 불량 및 오배송의 경우 교환/반품/환불이 가능합니다. (초기 불량의 경우 당사로 입고 및 확인 후 처리됩니다.) 

- 고객 변심에 의한 교환, 반품은 미개봉 상품 일때만 가능하며 고객님께서 배송비를 부담하셔야 합니다.

- 반품, 교환 신청 및 판매자 상담없이 상품을 발송할 시 처리가 지연되거나 불가능할 수 있습니다.   

- 일부 상품은 신모델 출시, 부품가격 변동 등 제조사 사정으로 가격이 변동될 수 있습니다. 

- 저단가 상품, 일부 특가 상품의 교환, 반품은 고객께서 배송비를 부담하셔야 합니다.(제품의 하자,배송오류는 제외) 

 

 

교환 및 반품 불가 사유

- 상품 개봉으로 상품 가치 훼손 시에는 상품수령 후 7일 이내라도 교환 및 반품이 불가능합니다.

- 상품 사용 흔적이 있는 경우 교환/반품 기간내라도 교환 및 반품이 불가능합니다.

- 상품 박스 내 포장이 훼손되어 상품의 가치가 상실된 경우 반품이 불가능합니다.

- 제품 및 본 상품의 박스 훼손, 분실 등으로 인한 상품 가치 훼손 시 교환 및 반품이 불가능합니다.

- 일부 특가 상품 또는 중고 제품의 경우, 인수 후에는 제품 하자나 오배송의 경우를 제외한 고객님의 단순변심에 의한 교환, 반품이 불가능하오니, 각 상품의 상품상세정보를 꼭 참조하십시오. 

환불안내

- 상품 청약철회 가능기간은 상품 수령일로 부터 7일 이내 입니다.

- 환불 처리는 당사 도착 확인 및 제품 상태 확인 후 완료됩니다.

- 자세한 문의는 카카오 채널 "다산에스알" 이나 홈페이지 아래 번호로 연락주시기 바랍니다.

AS안내

- 소비자분쟁해결 기준(공정거래위원회 고시)에 따라 피해를 보상받을 수 있습니다.

- A/S에 대한 자세한 문의는 카카오 채널 "다산에스알"이나 홈페이지 아래의 번호로 연락주시기 바랍니다.

이미지 확대보기[국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서

[국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서
  • [국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서
  • [국내수입정품]Rupert Neve Designs 5035 Shelford Channel/루퍼트니브/채널 스트립/프리앰프/인덕터/이큐/컴프레서
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